Sunday, March 3, 2013

Documenta 13, Outdoor Artworks, Structures & Spaces, Kassel, Germany 2012


Documenta is by far the most satisfying art viewing experience I have ever had. I was immersed in artworks placed in over forty locations throughout the city and in the park. Viewers are exposed to works of many mediums in multiple locations and formats. One must explore train stations, bank buildings, movie theatres, museums, galleries, empty store fronts, houses, and public areas in order to discover the scope of the show.  While not especially visually stimulating through photographs, experiencing these works in the flesh breathed life into my experience. One can only look at rows of pictures on white walls, in gallery, after gallery before tiring.
Kassel Hauptbanhof. Music played from intercom every 20-30 minutes



Many works in the park require viewers to physically explore artworks by climbing, entering and laying on them.
I had heard that it is impossible to see everything. This is true in the respect that simultaneous shows were occurring in other locations around the globe. I rented a bike while in Kassel, and for four days I went to every venue minus two which were listed in the directory. These photos are primarily of the outdoor environment and artworks I encountered.
If you want to show video or small scale artworks inside the park at Documenta, you display it in a building like this

Artworks in public space and in the park were not only some of the most interesting and unexpected projects I encountered, but the most challenging for viewers to comprehend. How is a mound of soil covered with grass art? Why is walking or climbing on a piece integral to its experience? How is an artwork's position in its landscape important?

Vegetable garden bridge across the pond



Many artworks seemed banal from a distance or at least not visually inviting. The best signifier that an artwork is near, are streams of people wandering towards an invisible beacon in the distance. (Thank heaven for the map, however non-specific it was).


The key to what is most fascinating about Documenta is that you have to be willing to get close. You must be willing to exert the effort to tread miles towards something you are not sure you will like or even be able to locate.   These artworks help viewers to see the spaces outside of galleries and museums as possible locations to experience artworks. They challenge us to view the world around us as an art project.
Dog park. Only viewers with dogs were allowed inside


 Overall, if you plan to go, be prepared to walk miles and miles, stand for long periods of time and have an incredibly difficult time renting a bike while using an automated system in German with your non-international plan cell phone. It is completely worth it; and it might have been an art project I was unaware of.






Monday, February 25, 2013

MOAH: Museum of Art & History, Lancaster, CA

 Over the weekend I went to MOAH for the first time for an artist talk and had the pleasure of encountering work by several artists whom I adore. Below is an installation by Megan Geckler, whose site-specific installations are created with materials not intended for art making. I was thrilled to finally see a work in person. The layout of the museum allowed for viewers to see the piece from the ground floor and from the second floor of the atrium. Rewritten by Machine on New Technology  is on view from January 26th, 2013- March 10, 2013.

Megan Geckler. Rewritten by Machine on New Technology, 2013.


 Also on view were some colorful PODS by Gisela Colon, a fantastic interactive installation Nervous Structure by Cuppetelli/Mendoza and a fiber installation by Nike Schroder, 34˚N 118˚W which was especially wonderful but very difficult to photograph due to its size and position in the entry Atrium.



 
 Cuppetelli/Mendoza, Nervous Structure
Cuppetelli/Mendoza, Nervous Structure





 Overall, I was incredibly impressed with the space and the selection of contemporary works on view and despite the lengthy drive from Los Angeles, I will definitely return.